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We’ve updated our Terms of Use. You can review the changes here.
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Jack Wilson
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Jack Wilson i know right, fuck theatre
Delenn
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Delenn This was a MASSIVE thing for Amanda, and for all of us as her fans, at the time of its release. She received so much flack for crowdfunding this album, because it was SO successful. The album itself is a celebration of not just Amanda's talent, but also the community she has created and is such a major part of. This also marks a massive step towards what would become her debut novel, "The Art of Asking", which shows how many insurmountable things become possible when you just ask. Favorite track: The Killing Type.
thedutymanager
thedutymanager thumbnail
thedutymanager I love Amanada Palmers songs, they are so raw and stirring
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Want It Back 04:09
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Lost 04:31
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Bottomfeeder 06:12
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The Bed Song 06:38
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Melody Dean 04:02
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Berlin 07:17
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about

hello listener!
i am currently hosting my music here for FREE / NAME YOUR PRICE...
and this is possible because i am using patreon, a new crowd-support platform
now housing thousands of my listeners who believe in direct arts patronage!
if you are hard up and can't afford to download this, PLEASE TAKE IT FOR FREE.
if you're a one-time listener and would like to donate, please consider dropping a dollar or more in the blank box.
if you're a supporter of my patreon: take what you want, and THANK YOU!!!
YOU ARE WHAT MAKES ALL THIS FREE CONTENT POSSIBLE FOR EVERYONE ELSE!

to support my patreon, where you can hang me with me, the community, and get special webcasts, blogs
and other Things I Make , go here: www.patreon.com/amandapalmer

...........

DEAR DOWNLOADER of MUSIC

this album and the accompanying art book were made possible through the POWER OF CROWDFUNDING. thank you to every single person who backed the Kickstarter to make this happen.

YOU made US and THIS a reality.

now that it's here, it's important for me to tell you that i i firmly believe in music being as free as possible. unlocked. shared and spread.

i believe that in order for artists to survive and create, their audiences need to step up and directly support them.
honor system.
no judgment.
if you’re broke – take it. if you love it, come back and kick in later when you have the money.
if you’re rich, think about who you might be karmically covering if you really love this record.

once you have it, SHARE SHARE SHARE! COPY COPY COPY! SPREAD THE EVIL!!!

THE FUTURE IS NOW

WE ARE THE MEDIA

LONG LIVE THE PUNK CABARET

love,
AFP

p.s. if you’re not following me on twitter, you’re missing everything: @amandapalmer
p.p.s. if you need to talk to us or send art, and if you want to find sheet music, tour dates, and possibly a life partner (it’s happened) go to http://amandapalmer.net...we’re waiting for you.

credits

released September 11, 2012

AMANDA FUCKING PALMER: vocals, piano, synthesizers
JHEREK BISCHOFF: vocals, upright bass, guitar
MICHAEL MCQUILKEN: vocals, drums, percussion, programming
CHAD RAINES: vocals, guitar, trumpet, keyboards, programming
____________________

all songs written by Amanda Palmer except “A Grand Theft Intermission” written by Jherek Bischoff.

“Meow Meow Introduces The Grand Theft Orchestra” features Meow Meow on vocals.

-Trout Heart Replica-
Orchestral Arrangement: Jherek Bischoff
Violin 1 & 2 : Paris Hurley
Viola: Alex Guy
Cello: Maria Scherer Wilson
Concert Bass Drum: Paul Kikuchi
Acoustic Bass: Jherek Bischoff

-A Grand Theft Intermission-
Orchestral Arrangement: Jherek Bischoff
Violin 1 & 2 : Paris Hurley
Viola: Alex Guy
Cello: Maria Scherer Wilson
Horns: Mick Fraser, Benjamin Gillespie, Eamon McNelis, Phil Noy, and Paul Willy

“Melody Dean” features David J on bass.

-Massachusetts Avenue-
-Berlin-
-Olly Olly Oxen Free-
Horn Arrangements: Chad Raines
Horns: Mick Fraser, Benjamin Gillespie, Eamon McNelis, Phil Noy, and Paul Willy
____________________

Produced and Engineered by John Congleton at Sing Sing Studios (Melbourne, Australia) | Assistant Engineer: Adam Dobos.
Mixed by John Congleton at Elmwood Studios (Dallas, TX).
Mastered by Greg Calbi at Sterling Sound (New York, NY).

Meow Meow appears courtesy of her glorious self.

David J appears courtesy of his awesome and ever-dapper self.

© & ℗ 2012 8ft. records

all songs written by Amanda Palmer, published by Eight Foot Music (ASCAP) except “A Grand Theft Intermission” by Jherek Bischoff, published by Tallinn Tallsman and Sons (BMI).

Package layout and design by Andrew Nelson for Down In The Valley Designs.
____________________

Special THANK YOU to our Loanspark Collective Lenders:
Josh Gaines
Nóirín Plunkett, on behalf of Literacy Bridge: literacybridge.org
Neil and Tracy Davidson
Anonymous, on behalf of South Street Seaport Museum: seany.org
Nancy Upton
Alfredo Richner, on behalf of Puerto Rico Indie: puertoricoindie.com
Carl Rigney, on behalf of the
Comic Book Legal Defense Fund: cbldf.org
Anonymous, on behalf of Elijah’s Promise: elijahspromise.org
Karina Melendez, on behalf of ThunderScarf: thunderscarf.org
____________________

A GRAND THEFT THANK YOU
Amanda & The Orchestra would like to thank all our love-friends in Melbourne who fed us with art, rubs, food, and instruments while we hunkered down to record this beast of an album.

Amanda would like to thank the magnificent team who made order out of chaos: Kevin, Vickie, Felice, Jared, and Eric at Girlie Action; SuperKate (best assistant ever), Hayley “Fiasco” Rosenblum, and Sean “indecisean” Francis who Makes Everything Online Go. thanks to Carter and Ron for priceless advice. thanks to the creative packaging brains at A to Z media, all of the hardworking folks at Kickstarter, our lovely Oz seamstress Jess Daly, and Jim Batt (our Melbourian ass-kicking filmmaker). and the biggest love of all to my moxy, Neil Gaiman...for everything he does for and to me.

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Amanda Palmer Boston

performer, writer, giver, taker, listener, love-lover, rule-hater and co-founder of the Brechtian punk cabaret duo, The Dresden Dolls.

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